The Catalyst - The UWL Magazine of Creative Writing and the Arts - is now accepting submissions of: Poetry, Prose, Music, Art, Photography, Short Stories, or Anything You Want to Share with the UWL Community
Dr. Haixia Lan's Aristotle and Confucius on Rhetoric and Truth: The Form and the Way argues that different cultures can coexist better today if we focus not only on what separates them but also on what connects them. To do so, Dr, Lan discusses how both Aristotle and Confucius see rhetoric as a mode of thinking that is indispensable to the human understanding of the truths of things or dao-the-way, or, how both see the human understanding of the truths of things or dao-the-way as necessarily communal, open-ended, and discursive. Based on this similarity, Dr. Lan aims to develop a more nuanced understanding of differences to help foster better cross-cultural communication. In making the argument, she critically examines two stereotyped views: that Aristotle’s concept of essence or truth is too static to be relevant to the rhetorical focus on the realm of human affairs and that Confucius’ concept of dao-the-way is too decentered to be compatible with the inferential/discursive thinking. In addition, Dr. Lan relies primarily on the interpretations of the Analects by two 20th-century Chinese Confucians to supplement the over-reliance on renderings of the Analects in recent comparative rhetorical scholarship. The book shows that we need an in-depth understanding of both the other and the self to comprehend the relation between the two.
Although modernism has traditionally been considered an art of cities, Ecocriticism in the Modernist Imagination claims a significant role for modernist texts in shaping environmental consciousness. Analyzing both canonical and lesser-known works of three key figures - E. M. Forster, Virginia Woolf, and W. H. Auden - Sultzbach suggests how the signal techniques of modernism encourage readers to become more responsive to the animate world and non-human minds. Understanding the way these writers represent nature's agency becomes central to interpreting the power dynamics of empire and gender, as well as experiments with language and creativity. The book acknowledges the longer pastoral tradition in literature, but also introduces readers to the newly expanding field of ecocriticism, including philosophies of embodiment and matter, queer ecocriticism, and animal studies. What emerges is a picture of green modernism that reifies our burgeoning awareness of what it means to be human within a larger living community.
The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the “other”’s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself.
Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism—analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since “Right can never be higher than the economic structure of society and its cultural development conditioned thereby.” The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.
What is the role of disgust or revulsion in early modern English literature? How did early modern English subjects experience revulsion and how did writers represent it in poetry, plays, and prose? What does it mean when literature instructs, delights, and disgusts? This collection of essays looks at the treatment of disgust in texts by Spenser, Shakespeare, Donne, Jonson, Herrick, and others to demonstrate how disgust, perhaps more than other affects, gives us a more complex understanding of early modern culture. Dealing with descriptions of coagulated eye drainage, stinky leeks, and blood-filled fleas, among other sensational things, the essays focus on three kinds of disgusting encounters: sexual, cultural, and textual. Early modern English writers used disgust to explore sexual mores, describe encounters with foreign cultures, and manipulate their readers' responses. The essays in this collection show how writers deployed disgust to draw, and sometimes to upset, the boundaries that had previously defined acceptable and unacceptable behaviors, people, and literatures. Together they present the compelling argument that a critical understanding of early modern cultural perspectives requires careful attention to disgust.
Steam Ticket Literary Journal Vol. 19 Release Party--THIS THURSDAY, April 28, 4 p.m.--The Eagle's Nest, 1914 Campbell Rd. Help the students in English 320 celebrate--we'll have brief readings, briefer speeches, free appetizers, stories about our production process. We're proud of this excellent issue that our hard-working and discerning editors and readers have assembled!
Her Campus-Lax is an online Collegiettes’™ guide to empower UWL students, to give them the skills and tools needed to succeed before, during and after college; and it is an offline community of Collegiettes™ interested in journalism, magazines, writing, event planning, public relations, social media, marketing, business/entrepreneurship and more. It serves as a career launching point for its team of college journalists while bringing light to issues, stories, and topics tailored toward UWL. Sections of the online publication include Features, Blog, Snapshot, Events, and Profile published weekly.
Her Campus gives students opportunities to launch their career, expand their resume and skills in an online and offline presence. It also serves as a guide and voice for all students throughout college where topics and articles range from sexual harassment, body image and relationships to study tips, checklists and how-to articles.
Her Campus-Lax is always looking for writers. Open positions also include Senior Editor, Events Director, Marketing & Publicity Director, and Social Media Director. To write for Her Campus or apply for any of the following positions, or for more information, you can email us at email@example.com. We look forward to hearing from you!
The Odyssey is a multimedia news source at UW- L and we are currently hiring writers. This is a great opportunity to expand your writing skills or gain job experience. If you have not heard of us, you can check us out here:
The Odyssey provides a platform for the voices of our generation. We give you the freedom to use your evolving opinions to write about issues that matter to you and then share them with a national audience. The Odyssey maintains an average of 100,000 reads per campus, garnering 8+ million reads per month nationally.
We are still growing at La Crosse and we would love for you to join our team! We want to have a variety of students who are passionate about having their voices heard. The Odyssey has articles from schools around the country, and we would love to have UW-L be a regularly viral school.
At The Odyssey you submit at least 1 article a week on a topic of your choice. This can be an article on news, entertainment, college life or your opinion or experiences. While the positions are not paid, we offer incentives such as $20 to the student to get the most article shares that week. We also let students have the liberty to write about a topic of their choice. This is a great chance to be heard and produce writing for your portfolio as we currently get more online views than People, Rolling Stone, and USA Today!
If you are interested in being a part of the team, please apply at