English Club Presents - "Game Night"
October 11, 2016
4th Floor Lounge
Sponsored by UWL English Club
English Club Presents - "Game Night"
October 11, 2016
4th Floor Lounge
Sponsored by UWL English Club
Ruth Famojuro, Management Concepts
Content Development Expert & Learning Content Strategist
Thursday, 10/13 at 7:00 pm, Wing 102
Hannah Toney, Management Concepts
Thursday, 10/27 at 5:30 pm, Wing 102
Shelby Schroeder, National Co+op Grocers
Meeting & Event Specialist
Thursday, 11/10 at 7:00 pm, Wimberly 139
Adam Hatfield, Gundersen Health System
Media & Communications Manager
Thursday, 11/17 at 6:00 pm, Wimberly 139
Cassie Tokach & Taylor Mueller, Fastenal
Thursday, 12/1 at 6:00 pm, Wimberly 139
Theresa Lorenz, Healthcare Business Insights
Associate Research Analyst
Thursday, 12/8 at 7pm, Wimberly 139
Sponsored by UWL Department of English | Contact: Dr. Lindsay Steiner, email@example.com
In the UW-L English Department's first colloquium presentation of the 2016-2017 academic year, Dr. Natalie Eschenbaum will present "Playing with Sensation in A Midsummer Night's Dream." In Shakespeare’s A Midsummer Night’s Dream, the characters, whether human or faerie, attempt to distinguish their realities from their imaginations by using their physical senses. Of course, in the topsy-turvy world of Athens’ forest, the characters’ senses are disconnected from reason, and nothing actually is what it looks, sounds, smells, tastes, or feels like. In this paper, Dr. Eschenbaum is particularly interested in Bottom, a figure both animal and human, and his ability to see through his current reality, and to reconnect sense with reason. To inform her readings of Shakespearean sensation, Dr. Eschenbaum examines a few early modern tracts that describe the senses that are most closely linked with human reason. Stephen Gosson, for instance, in his anti-theatricals, argues that one of the problems with theatre is that it is digested with hearing, and thus affects both the stomach and reason. Shakespeare’s Bottom, somewhat ironically, helps us to make sense of the most human of the early modern sensations, as they are described by characters, experienced by playgoers, and understood by readers. The presentation runs from 2:30-3:30 p.m. on Friday, September 23, in 112 Wimberly Hall. The event is free and open to the public. To arrange for disability accommodations, contact firstname.lastname@example.org or call 785-8295.
Although modernism has traditionally been considered an art of cities, Ecocriticism in the Modernist Imagination claims a significant role for modernist texts in shaping environmental consciousness. Analyzing both canonical and lesser-known works of three key figures - E. M. Forster, Virginia Woolf, and W. H. Auden - Sultzbach suggests how the signal techniques of modernism encourage readers to become more responsive to the animate world and non-human minds. Understanding the way these writers represent nature's agency becomes central to interpreting the power dynamics of empire and gender, as well as experiments with language and creativity. The book acknowledges the longer pastoral tradition in literature, but also introduces readers to the newly expanding field of ecocriticism, including philosophies of embodiment and matter, queer ecocriticism, and animal studies. What emerges is a picture of green modernism that reifies our burgeoning awareness of what it means to be human within a larger living community.
The contemporary has marked itself off from modernity by questioning its humanism that centers the world around the human as the moral subject of free will and self-determination, the bearer of universal essence that is the basis of human rights. Modernism normalizes humanism through language as referential, a set of interrelated signs that correspond to the empirical reality outside it. Humanist modernity, in other words, is seen in the contemporary as a regime that, by separating the human from the non-human and insisting on language as correspondence, not only fails to engage the emerging forms of social relations in which the boundaries of human and machine are fading but is also indifferent to the difference between the “other”’s life and other lives. Human, All Too (Post)Human: The Humanities after Humanism argues that the Nietzschean tendencies that provide the philosophical boundaries of post-humanism do not undo humanism but reform it, constructing a parallel discourse that saves humanism from itself.
Grounded in materialist analysis of social life, Human, All Too (Post)Human argues that humanism and post-humanism are cultural discourses that normalize different stages of capitalism—analog and digital capitalism. They are different orders of property relations. The question, the writers argue, is not humanism or post-humanism, namely cultural representations, but the material relations of production that are centered on wage labor. Language, free will, or human rights are not the issues since “Right can never be higher than the economic structure of society and its cultural development conditioned thereby.” The question that shapes all questions, in Human, All Too (Post)Human is freedom from (wage) labor.
A grant from the National Endowment of the Arts will support a community-wide conversation about the Ernest J. Gaines novel “A Lesson Before Dying” during the coming school year.
The University of Wisconsin-La Crosse English Department received a $14,000 Big Read grant from the National Endowment for the Arts. It will be used to bring nationally recognized speakers to La Crosse and generate community-wide conversations around the book.
“We want it to be a community, grass-roots read,” said assistant professor Kate Parker, one of the grant’s co-authors. She hopes up to 3,000 area readers take part.
Partners in the project include the La Crosse Public Library; libraries at UW-L, Viterbo University and Western Technical College; area schools; and several local businesses and nonprofit organizations.
UW-L is one of only 77 organizations nationwide that received grants totaling more than $1 million for Big Read projects running September 2016 June 2017. The goal of Big Reads, according to the NEH, is “to broaden our understanding of our world, our communities and ourselves through the joy of sharing a good book.”
Another grant co-author, assistant professor of English Bryan Kopp, expects the Big Read to build community. “Slowing down and reading a book is a great way to connect with one another,” he said.
Community events planned for the Big Read include a kick-off event featuring Sister Helen Prejean, a social justice activist featured in the film “Dead Man Walking.” Other workshops and speaker presentations will be held this winter. Smaller groups will be encouraged to hold their own events while reading the book.
Parker, Kopp and the third grant co-writer, assistant professor of English Heidi Jones, worked with the public library to select the book from a list of 38 titles. “A Lesson Before Dying,” Gaines’ eighth novel, published in 1993, is a story about a young teacher pairing up with an uneducated young adult after he is wrongfully convicted of robbery and murder and sentenced to death in a small, fictional Cajun town.
“This is a book that invites us to think in unexpected ways about pressing social issues,” Parker said.
The faculty authors say there will be more formal and informal opportunities for students interested in promoting literacy — or just reading a good book — to become involved throughout the year. A full schedule of Big Read events will be announced in fall.
What is the role of disgust or revulsion in early modern English literature? How did early modern English subjects experience revulsion and how did writers represent it in poetry, plays, and prose? What does it mean when literature instructs, delights, and disgusts? This collection of essays looks at the treatment of disgust in texts by Spenser, Shakespeare, Donne, Jonson, Herrick, and others to demonstrate how disgust, perhaps more than other affects, gives us a more complex understanding of early modern culture. Dealing with descriptions of coagulated eye drainage, stinky leeks, and blood-filled fleas, among other sensational things, the essays focus on three kinds of disgusting encounters: sexual, cultural, and textual. Early modern English writers used disgust to explore sexual mores, describe encounters with foreign cultures, and manipulate their readers' responses. The essays in this collection show how writers deployed disgust to draw, and sometimes to upset, the boundaries that had previously defined acceptable and unacceptable behaviors, people, and literatures. Together they present the compelling argument that a critical understanding of early modern cultural perspectives requires careful attention to disgust.
In his overview of theories of space and place titled Spatiality, Robert T. Tally, Jr. writes, “In the attempt to think critically about the spaces and places of our own world, we are frequently encouraged to imagine other spaces.” In this presentation, Professor Fowler discusses what it means to “imagine space” in the literary works of Geoffrey Chaucer and William Shakespeare while also “thinking critically” about the historical London that each of these authors inhabited and the contemporary London that one might encounter today. This talk represents the theoretical and pedagogical approaches underpinning Fowler’s Literary London: Chaucer and Shakespeare course being taught through the UWLondon study abroad program this summer.
Hope to see you all there
English Capstone Presentations April 27, May 3rd, May 4th and May 5th
On April 27, May 3, May 4, and May 5 the English Department will hold three Capstone Presentations for Majors in Rhetoric & Writing and Literature (ENG 413 and ENG 484). The presentations will all be held in 330 Cartwright. The colloquia are free and open to the public. A brief question-and-answer period follows each presentation. Light refreshments will be served. Please drop in for any or all of the following presentations:
Wednesday, April 27th, 330 Cartwright Center
Tuesday, May 3rd, 330 Cartwright Center
Wednesday, May 4th, 330 Cartwright Center
Thursday, May 5th, 330 Cartwright Center
Steam Ticket Literary Journal Vol. 19 Release Party--THIS THURSDAY, April 28, 4 p.m.--The Eagle's Nest, 1914 Campbell Rd. Help the students in English 320 celebrate--we'll have brief readings, briefer speeches, free appetizers, stories about our production process. We're proud of this excellent issue that our hard-working and discerning editors and readers have assembled!
At 4:00pm on April 21st in 150 Murphy, the TEDxUWLaCrosse Salon Series will present "Fatletes, Health, and Our BMI Obsession: A Cultural Discussion of Branding Fat as the Enemy."
At a TEDx salon, attendees watch TED Talks, listen to speakers, and have discussions about the talks they witnessed. Salons re-engage the audience in the presentation model through the critical element of lively discussions, allowing attendees to actively participate in the event and shape the conversation.
Fat is a culturally-loaded word—we reference it in terms of amounts in food, leverage it as an insult, worry about it as a state of being, chastise it as a moral failure, medicalize it under the guise of health, and discuss it it in broad strokes as a crisis and a high priority for erasure. Primarily, then, fat is culturally-articulated and understood as synonymous with bad and unhealthy—this understanding, however, encourages humans to collapse understandings of health and wellness with appearance-based body assessment.
Dr. Marie Moeller describes the salon, “This session responds to and challenges the way we understand fat—instead of being a visual marker of health, this talk reframes understandings of the way fat is culturally-treated, medicalized, shamed, hidden, and oppressed by our varying governing institutions—political, educational, medical, legal,
juridical, and many others. Let’s understand, in other words, the complexity that is ‘fat’.”
Dr. Karen Hart will present "The Icy White Queen in a Green World: Investigating Ecocritical Consciousness in Hans Christian Andersen’s “The Snow Queen” and Disney’s Frozen" from 2:30-3:30, Friday April 22, in CWH 113 as part of the English Department Colloquium Series. What is an “ecocritical” or “green” consciousness and why is it important to investigate in popular culture? What are the ambiguities of “green” consciousness in Andersen’s “Snow Queen” and Disney’s Frozen (a loose adaptation)? Which is more “green” and potentially subversive: “The Snow Queen” or Frozen? To answer these guiding questions, Dr. Hart has investigated the meaning of “green” consciousness in relationship to a “master” consciousness, and has integrated modules into my Gen Ed ENG200 Fairytale class to explore the young adult/student response to these stories after learning these concepts. She also has considered my own experiential and theoretical concerns with Frozen as a parent and fairytale scholar. Through sharing her discoveries, Dr. Hart hopes this colloquium will open up a dialogue about the challenges and impediments to, and value of, creating and maintaining a green consciousness.